“Always one hand on the hilt”
       
     
“From cradle to grave”
       
     
“Childhood divination”
       
     
Looking Back
       
     
Battered
       
     
Weary
       
     
Spent
       
     
 Aquatint 2025
       
     
Knead
       
     
Nine Nebaska Artists
       
     
Always the Fool
       
     
Second Skin
       
     
Untitled
       
     
Embrace
       
     
bruised
       
     
starting to spread
       
     
bursting at the seams
       
     
it stretches and swells
       
     
a constant ache
       
     
too damn soft
       
     
(dys)morph
       
     
(dys)morph
       
     
(dys)morph
       
     
“Always one hand on the hilt”
       
     
“Always one hand on the hilt”

Etching and reductive woodcut
14” x 11”
2021

Created for the themed portfolio Recollections organized by Bend Gallery

“From cradle to grave”
       
     
“From cradle to grave”

14” x 11”
Etching and reductive woodcut
2022

“Childhood divination”
       
     
“Childhood divination”

6” x 6”
Etching and reductive woodcut
2022

Looking Back
       
     
Looking Back

Intaglio (color etching)
2023

Battered
       
     
Battered

Reductive woodcut
15” x 11”
2020

Weary
       
     
Weary

Reductive woodcut
15” x 11”
2020

Spent
       
     
Spent

Reductive woodcut
15” x 11”
2020

 Aquatint 2025
       
     

Aquatint
2025

Knead
       
     
Knead

Silk aquatint
2021

Nine Nebaska Artists
       
     
Nine Nebaska Artists

Wheatpaste installation of woodcuts (Nobles, center) made for the Nine Nebraska Artists project organized by Constellation Studios and the Lux Center for the Arts in Lincoln, Nebraska.

Print size: 36” x 24”
Woodcut
2020

Always the Fool
       
     
Always the Fool

Linocut
12” x 9”
2021

Second Skin
       
     
Second Skin

Intaglio (etching)
2020

Created as a part of Etch20 organized by Roberta and Bob Rogers Gallery

Untitled
       
     
Untitled

Lithograph
2019

Embrace
       
     
Embrace

Lithograph
2019

bruised
       
     
bruised

A suite of handmade paper pieces (pulp painted and watermarked abaca) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

starting to spread
       
     
starting to spread

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

A part of a suite of handmade paper pieces (bruised) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

bursting at the seams
       
     
bursting at the seams

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

A part of a suite of handmade paper pieces (bruised) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

it stretches and swells
       
     
it stretches and swells

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

A part of a suite of handmade paper pieces (bruised) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

a constant ache
       
     
a constant ache

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

A part of a suite of handmade paper pieces (bruised) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

too damn soft
       
     
too damn soft

Watermarked and pulp painted abaca
12.75” x 18.5” each
2023

A part of a suite of handmade paper pieces (bruised) made during a residency at the Morgan Conservatory for Papermaking in Cleveland, OH.

(dys)morph
       
     
(dys)morph

Artist’s Book (Japanese stab binding)
Silkscreen on Arches text and vellum
2024

(dys)morph
       
     
(dys)morph

Artist’s Book (Japanese stab binding)
Silkscreen on Arches text and vellum
2024

(dys)morph
       
     
(dys)morph

Artist’s Book (Japanese stab binding)
Silkscreen on Arches text and vellum
2024